A combination of large format vinyl cut and projected animations to show a variety of datasets in a formal manner.

The vinyl cut outlines a section of the thames and a square symbolising 'Big Ben'. Data on the patterns in tourist photograph of Big Ben was first collected and analysed. Devoid of excess playful animation, the slow and progressive 'rendering' methods transmit the theory that the dataset is only a theoretical concept - that the overlay is previously collected data, rather than a prepared image. Visualisations should be represented as if they are variable, and that they could be drawn/processed countless times from any similar data source.

The vinyl Thames and Big Ben act as the constant while intangible data is projected over the top,

Vernacular: Data, variables, aggregations, average, median, mode, processing, source, database, 8-bit, rendering, cell, collections, hierarchy, visualisation, graph, Rhizome, algorithm, value, layers

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